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Aufnahmen mit Clara Haskil

Wolfgang Amadeus Mozart | Robert Schumann | Ludwig van Beethoven
2CD

Künstler | H

Clara Haskil

Clara Haskil

Klavier

Clara Haskil (7 January 1895 - 7 December 1960) was a Jewish Romanian classical pianist, renowned as an interpreter of the classical and early romantic repertoire.

Haskil was particularly noted for her performances and recordings of Mozart.
Clara Haskil (7 January 1895 - 7 December 1960) was a Jewish Romanian classical pianist, renowned as an interpreter of the classical and early romantic repertoire.

Haskil was particularly noted for her performances and recordings of Mozart. Many considered her the foremost interpreter of Mozart in her time. She was also noted as a superb interpreter of Beethoven, Schumann, and Scarlatti.

Haskil was born into a Sephardic Jewish family in Bucharest, Romania and studied in Vienna under Richard Robert (whose memorable pupils also included Rudolf Serkin and George Szell) and briefly with Ferruccio Busoni. She later moved to Paris, where she started studying with Gabriel Fauré's pupil Joseph Morpain, whom she always credited as one of her greatest influences. The same year she entered the Paris Conservatoire, officially to study with Alfred Cortot although most of her instruction came from Lazare Lévy and Mme Giraud-Letarse, and graduated at age 15 with a Premier Prix. She also graduated with a Premier Prix in violin. Upon graduating, Haskil began to tour Europe, though her career was cut short by one of the numerous physical ailments she suffered throughout her life. In 1913 she was fitted with a plaster cast in an attempt to halt the progression of scoliosis. Frequent illnesses, combined with extreme stage fright that appeared in 1920, kept her from critical or financial success. Most of her life was spent in abject poverty. It was not until after World War II, during a series of concerts in the Netherlands in 1949, that she began to win acclaim.

As a pianist, her playing was marked by a purity of tone and phrasing that may have come from her skill as a violinist. Transparency and sensitive inspiration were other hallmarks of her style.

Well regarded as a chamber musician, Haskil collaborated with such famed musicians as George Enescu, Eugène Ysaÿe, Pablo Casals, Joseph Szigeti, Géza Anda, Isaac Stern and Arthur Grumiaux, with whom she played her last concert. While renowned primarily as a violinist, Grumiaux was also a fine pianist, and he and Haskil would sometimes swap instruments.

She played as a soloist under the baton of such conductors as Ansermet, Barbirolli, Beecham, Boult, Celibidache, Cluytens, Fricsay, Giulini, Inghelbrecht, Jochum, Karajan, Kempe, Klemperer, Kubelik, Markevitch, Monteux, Münch, Paray, Rosbaud, Sawallisch, Solti, Stokowski, Szell, among many others.

Haskil died from injuries received through a fall at a Brussels train station. She was to play a concert with Arthur Grumiaux the following day.

An esteemed friend of Haskil, Charles Chaplin, described her talent by saying "In my lifetime I have met three geniuses; Professor Einstein, Winston Churchill, and Clara Haskil. I am not a trained musician but I can only say that her touch was exquisite, her expression wonderful, and her technique extraordinary." (Swiss Radio interview, 19 April 1961.)
  • Clara Haskil plays Mozart, Beethoven and Schumann
    Clara Haskil plays Mozart, Beethoven and Schumann
  • andante | 1. April 2009

    Rezension siehe PDF...

  • Audiophile Audition | Gary Lemco | 30. Juni 2009

    Recordings from the studio and the concert hall 1953-1954 by the inimitable Clara Haskil (1895-1960) feature the great Romanian virtuoso in her...

  • Classica – le meilleur de la musique classique & de la hi-fi | Jacques Bonnaure | 1. Juli 2009

    Clara Haskil
    Les enregistrements Audite proviennent des archives de la RIAS de Berlin. Les programmes, sont caractéristiques des choix de Clara Haskil qui...

  • Diapason | Alain Lompech | 1. Juli 2009

    Auszeichnung Transférées pour la première fois depuis les bandes originelles conservées par la Radio allemande, ces interprétations sonnent mieux que dans les...

  • Diverdi Magazin | Roberto Andrade | 1. Juni 2009

    El piano que canta
    Nueva muestra del arte de Clara Haskil en Audite

    Ferenc Fricsay caracterizó el arte de Clara Haskil con la expresión que encabeza este comentario. La gran pianista rumana había aprovechado muy...

  • Fanfare | Boyd Pomeroy | 1. Mai 2010

    Another winner in Audite's invaluable ongoing series of historic reissues from 1950s German radio archives. As usual, the new remasterings derive from...

  • Gramophone | Jeremy Nicholas | 1. Juli 2009

    Legacies and rewards
    Jeremy Nicholas welcomes the reissue of rediscovered recordings by a forgotten New Zealand virtuoso

    From Audite come two discs of Clara Haskil remastered from original broadcast tapes recorded by Deutschlandradio in 1953 and 1954. Mozart's F major...

  • International Piano | 1. Juni 2009

    Rezension siehe PDF...

  • Journal de la Confédération musicale de France | Jean Malraye | 1. Mai 2009

    Les CD de Jean Malraye
    Concertos

    MOZART par HASKIL et FRICSAY: un plaisir rare à goûter sans restriction. Le raffinement el la distinction, la poésie, bref la musique. Une...

  • Kulimu | Ulrich Alberts | 1. November 2009

    In der Musik versunken
    Audite in Detmold ist die sehr begrüßenswerte Veröffentlichung von Aufnahmen mit der Pianistin Clara Haskil zu verdanken. Wer jemals diese...

  • La Musica | 1. April 2009

    Ferenc Fricsay Editions
    Rezension siehe PDF...

  • Pizzicato | Alain Steffen | 1. September 2009

    Auszeichnung Aus den Archiven
    Vier weitere Veröffentlichungen aus dem historischen Archiv, wobei aber nur zwei wirkliches Interesse verdienen. Kaum erwähnenswert bleibt Karl...

  • Scherzo | Enrique Pérez Adrián | 1. Juli 2009

    Auszeichnung Audite Edición Fricsay
    Una Joya

    Prosigue el sello alemán Audite (distribuidor: Diverdi) con su magnífica edición dedicada al inolvidable Ferenc Fricsay. En esta ocasión son sólo...

  • Universitas | Adelbert Reif | 1. Mai 2009

    „Woher kommt überhaupt mein Erfolg - und es gibt Länder, wo ich einen ganz außerordentlichen habe, sogar nur mit Mozart... Was rührt manche...

  • Westdeutsche Allgemeine Zeitung | Hajo Berns | 15. Mai 2009

    Die Wahrheit des Klavierspiels
    „In zwei Wochen musst du Clara Mozart spielen hören. Dann wirst du...

  • www.classicstodayfrance.com | Christophe Huss | 1. April 2009

    Il va bientôt falloir un doctorat pour faire le tri dans les 5000 enregistrements de la même oeuvre (j'exagère, mais si ça continue comme cela on...

  • www.codaclassic.com | 1. April 2009

    Rezension siehe PDF...

  • www.concertonet.com | Sébastien Foucart | 25. Juli 2009

    L’indispensable collection d’archives d’audite s’enrichit d’un double album consacré à Clara Haskil (1895-1960). Même si la pianiste...