Catalogue | Voice

Barry McDaniel sings Schubert, Schumann, Wolf, Duparc, Ravel & Debussy

• Der Winterabend, D.938 (08:19)  
• Herbst, D.945 (02:49)  
• Daß sie hier gewesen, op. 59 Nr. 2, D.775 (03:43)  
• Der Einsame, op. 41, D.800 (04:23)  
• Fahrt zum Hades, D.526 (05:15)  
• Der Jüngling und der Tod, D.545 (04:11)  
• Sprache der Liebe, op. 115 Nr. 3, D.410 (01:45)  
• Fischerweise, op. 96 Nr. 14, D.881 (02:52)  
• Über Wildemann, op. 108 Nr. 1, D.884 (02:18)  
• Auflösung, D.807 (02:35)  

• Sechs Gedichte und Requiem, op. 90 (Nikolaus Lenau)
• Nr. 1 Lied eines Schmiedes (01:21)  
• Nr. 2 Meine Rose (04:12)  
• Nr. 3 Kommen und Scheiden (01:53)  
• Nr. 4 Die Sennin (01:49)  
• Nr. 5 Einsamkeit (03:40)  
• Nr. 6 Der schwere Abend (02:21)  
• Nr. 7 Requiem (altkatholisches Gedicht) (03:49)  

• Nachtlied, op. 96 Nr. 1 (02:10)  
• Der Spielmann, op. 40 Nr. 4 (02:43)  
• Zigeunerliedchen I+II , op. 79 Nr. 7 (02:44)  
• Verratene Liebe, op. 40 Nr. 5 (01:02)  
• Provençalisches Lied, op. 139 Nr. 4 (02:09)  
• Mein schöner Stern, op. 101 Nr. 4 (02:47)  
• Aus den hebräischen Gesängen, op. 25 Nr. 15 (05:11)  
• Ihre Stimme, op. 96 Nr. 3 (02:03)  
• An eine Aeolsharfe (05:11)  
• Heimweh (02:55)  
• Lebe wohl (02:19)  
• Nimmersatte Liebe (02:27)  
• Der Tambour (02:20)  
• Abschied (02:50)  
• Chanson Triste (02:51)  
• Lamento (03:31)  
• Le Manoir de Rosemonde (02:17)  
• Extase (03:26)  
• Soupir (03:08)  
• Phidylé (05:38)  

• Chansons Madécasses
• 1. Nahandove (05:08)  
• 2. Aoua (03:49)  
• 3. Il est doux (04:21)  

• Le Promenoir des deux Amants
• 1. Auprès de cette grotte sombre (02:17)  
• 2. Crois mon conseil, chère Climène (01:45)  
• 3. Je tremble en voyant ton visage (01:57)  

“Whatever I sing, I have to believe in it.” (Barry McDaniel)

The American baritone Barry McDaniel was one of the outstanding singers of the post-war era. As a successful opera singer and Lieder interpreter, he enjoyed a long and eventful career, both in Germany and abroad. Despite numerous performances and many recordings for radio and television, he nonetheless remained largely unnoticed by the media, partly because his name almost vanished in the shadow of Dietrich Fischer-Dieskau, who was five years his senior. Unjustly so, since the two singers were equals as artists, albeit with different characters. Today, Barry McDaniel is hardly mentioned in specialist literature and one searches in vain for CDs since, until now, recordings from radio archives have not been phonographically processed. However, audite now presents a première double CD of Lieder sung by Barry McDaniel. These studio recordings from the archives of Radio Berlin-Brandenburg (formally Sender Freies Berlin) were made between 1963 and 1974 with Hertha Klust and Aribert Reimann as accompanists.

This selection of songs by Schubert, Schumann, Wolf, Duparc, Ravel and Debussy reveals diverse facets of McDaniel’s artistic personality. His interpretations are characterised by an interleaving of knowledge and naivety, feeling and craftsmanship, expression and impeccable singing. Apart from his immaculate technique, his accent-free German is particularly remarkable.

Barry McDaniel moved from the USA to Germany in 1953 in order to further his studies. He then gave his first song recitals, together with Hermann Reutter, and later began a career as an opera singer. In 1961 he was engaged at the newly re-opened Deutsche Oper Berlin, where he remained for thirty-seven years. At the same time, he gave guest performances at the Vienna Staatsoper, the Metropolitan Opera New York, the Frankfurt Opera and the Munich Opera Festival, as well as broadcasting for radio and television. In addition, Barry McDaniel gave numerous song recitals, for example in Stuttgart, Karlsruhe, Hanover, Brunswick and Berlin, including, in the latter city, the first ever song recital at the newly built Philharmonie in 1963. Today, the 81-year-old baritone declares: “Whatever I sing, I have to believe in it.” That is exactly how these recordings sound.

This release is furnished with a “producer’s comment” by producer Ludger Böckenhoff on our home page at
http://www.audite.de/en/download/file/358/pdf.html.

This release forms part of our series “Legendary Recordings” and bears the stamp “1st Master Release”. The term stands for the exceptional quality of audite’s archive releases which are all, without exception, produced using original tapes from the radio archives. Usually, these are the original analogue tapes with tape speeds of up to 76 cm/s, which are of astonishingly high quality, even by today’s standards. In addition, the process of re-mastering – executed with professional expertise and sensitivity – reveals hitherto hidden details of the interpretations, creating a sonic image of superior quality. CD releases produced from private recordings of radio broadcasts or old 78rpm records cannot match this level of sound quality.