“My first encounter with Beethoven goes way back. Already as a child I wanted my parents to give me the scores of the Beethoven symphonies... I could read music before learning to write and do arithmetic. I read the scores in bed and under my desk at school... These first impressions were colossal...
Rafael Kubelik
Symphonieorchester des Bayerischen Rundfunks
"Große Musikerpersönlichkeiten faszinieren oft dadurch, dass sie das schon Bekannte in neuem Licht erscheinen lassen - was auch hier gelungen ist." (WDR3 Hörproben) ![]()
L. v. Beethoven: Symphony No. 4 & No. 5
“My first encounter with Beethoven goes way back. Already as a child I wanted my parents to give me the scores of the Beethoven symphonies... I could read music before learning to write and do arithmetic. I read the scores in bed and under my desk at school... These first impressions were colossal - they were indelible and have remained with me ever since.“ (Rafael Kubelik)
audite continues its series with Rafael Kubelik and the Bavarian Radio Symphony Orchestra, a series which has won several prizes. Two symphonies of Ludwig van Beethoven are being released as live recordings for the first time.
Beethoven’s Fourth has always been somewhat overshadowed by the revolutionary Eroica and the weighty, fateful Fifth; it has never been as frequently programmed as have these others. Unjustly so, for Rafael Kubelik’s interpretation reveals the Fourth to be an enormously multi-layered composition. This impression already begins with the first movement’s extremely tense, exciting introduction. It is able to develop its key effect for the work by persisting consequently in the slow Adagio and remaining “sempre pianissimo“ except for a few outbursts. It becomes clear, when comparing the work to the Fifth, that both symphonies are “typical“ Beethoven in different ways, with enormous expressive depth and complex formal structure. In both works, each thematic development and harmonic progression is of significance in the overall dramaturgy.
Kubelik and the Bavarian Radio Symphony Orchestra make the most of the composed contrasts and extremes in each of these works. In live recordings made in the years 1979 (Fourth) and 1969 (Fifth), they convince the listener once more with their customary perfection and thrilling musical vitality.
Around the time this Symphony 4 was recorded in October 1979, I saw this same ensemble strict unison bowing and all, deliver a very robust Dvorak 8. I...
Ces Symphonies sont extraites de deux concerts datant respectivement de 1979 et 1969. Un léger souffle n'altère pas la qualité de la prise de son,...
Das Label Audite hat die verdienstvolle Aufgabe übernommen, den großen Dirigenten Rafael Kubelik nicht in Vergessenheit geraten zu lassen. Nach...
Kubelik et Beethoven se sont au moins rencontrés pour une «Missa solemnis» inoubliable (Orfeo) et pour des symphonies chez DG, gravées avec des...
Kubelik takes the Stage
Some years ago I was involved in a discussion concerning Wilhelm Furtwängler's potential artistic heir. Who might he be? There was no lack of...
Erlebnismusik als laues Schicksalslüftchen
Rafael Kubelik wird zu Recht in einem Atemzug mit den ganz großen...
Blutarmer Beethoven mit Kubelik
Diese beiden Beethoven-Symphonien weisen Rafael Kubelik als Traditionalisten aus, der es zwar versteht, die Werke makellos abspulen zu lassen, dabei...
Sendas grabaciones en vivo, históricas, datadas en Bonn (Beethovensaal 1979) para la Cuarta y en 1969 la celebérrima Quinta en el Deutsches Museum...
Eine neue CD mit Beethoven-Sinfonien – da stellt sich natürlich gleich die Frage: brauchen wir davon wirklich noch eine weitere Aufnahme? Sicher...
You always can count on Rafael Kubelik to deliver performances that are intelligently musical, warmly alive, and stylistically sound, and these two...
L. v. Beethoven: Symphony No. 4 & No. 5 (audite 95.493)
| article number: | 95.493 |
| EAN barcode: | 4022143954930 |
| price group: | BCB |
| release date: | 1. March 2003 |
| total time: | 70 min. |
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