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Catalogue | Voice
Edition Fischer-Dieskau (IV) – Lieder by Beethoven and Brahms
“He knew exactly what he wanted to sing and how to go about it. The word ‘magnetism’ – so frequently misappropriated for all types of advertising – fully applied in his case.”
This tribute from the literary scholar and contemporary witness Hans Mayer makes it clear that young Dietrich... 
Hertha Klust | Dietrich Fischer-Dieskau
Ludwig van Beethoven | Johannes Brahms
"In those years, virtually everything DFD sang was golden in either voice, interpretation, or both, and this recital is no exception. Highly recommended." (Fanfare)
Edition Fischer-Dieskau (IV) – Lieder by Beethoven and Brahms
- Mailied Op. 52 No. 4 (Goethe) (02:18)
- Marmotte Op. 52 No. 7 (Goethe) (00:31)
- Ich liebe dich WoO 123 (02:10)
- In questa tomba oscura WoO 133 (Carpani) (03:38)
- Andenken WoO 136 (Matthisson) (03:10)
- Neue Liebe, neues Leben Op. 75 No. 2 (Goethe) (02:56)
- Aus Goethes Faust Op. 75 No. 3 (Goethe) (02:04)
- Wonne der Wehmut Op. 83 No. 1 (Goethe) (02:53)
- Sehnucht Op. 83 No. 2 (Goethe) (02:24)
- An die Hoffnung Op. 94 (Tiedge) (08:22)
- Heimkehr Op. 7 No. 6 (Uhland) (00:48)
- Ein Sonett Op. 14 No. 4 (Herder) (02:02)
- Wie rafft ich mich Op. 32 No. 1 (Platen) (03:32)
- Botschaft Op. 47 No. 1 (Daumer) (01:57)
- Abenddämmerung Op. 49 No. 5 (Schack) (05:04)
- Es träumte mir Op. 57 No. 3 (Daumer) (03:14)
- Eine gute, gute Nacht Op. 59 No. 6 (Daumer) (01:57)
- Dein blaues Auge hält Op. 59 No. 8 (Groth) (02:21)
- Sommerabend Op. 85 No. 1 (Heine) (02:48)
- Mondenschein Op. 85 No. 2 (Heine) (02:43)
- Ständchen Op. 106 No. 1 (Kugler) (01:49)
“He knew exactly what he wanted to sing and how to go about it. The word ‘magnetism’ – so frequently misappropriated for all types of advertising – fully applied in his case.”
This tribute from the literary scholar and contemporary witness Hans Mayer makes it clear that young Dietrich Fischer-Dieskau’s admirers came from all age groups and all walks of life, from intellectuals to returning prisoners-of-war, from Hans Mayer to Wilhelm Furtwängler. Beginning in the late 1940s “FiDi,” as he was already known in his Berlin years, elevated lied singing to an unparalleled level associated with his mellifluous baritone, superb vocal technique, and the credibility of his interpretations. Fortunately the persuasive powers of his early years are attested to not only by ear witnesses but by many radio recordings. These two sets of lieder by Johannes Brahms (including Abenddämmerung and Ständchen) and Ludwig van Beethoven are taken from two recording sessions held at Berlin’s RIAS broadcasting company in 1951/52. Beethoven’s lieder did not belong to the standard repertoire at the time, and it was Fischer-Dieskau who first popularized them.
The historical publications at audite are based, without exception, on the original tapes from broadcasting archives. In general these are the original analogue tapes, which attain an astonishingly high quality, even measured by today‘s standards, with their tape speed of up to 76 cm/sec. The remastering – professionally competent and sensitively applied – also uncovers previously hidden details of the interpretations. Thus, a sound of superior quality results. CD publications based on private recordings from broadcasts cannot be compared with these.
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???
| January 2, 2009
Rezension siehe PDF...
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BBC Music Magazine
| Hilary Finch | January 10, 2008
Don't be shocked if what you thought was an innocent Scottish ditty by Rabbie Burns about cradling and dandling a bonny wee bairn turns out to be a... -
CD Compact
| Sergi Vila | January 2, 2009
En sello alemán Audite, lleva ya varios años rescatando de los archivos radiofícos, las primeras grabaciones del baritono alemán Fischer-Dieskau....
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classiqueinfo-disque.com
| Benoît Donnet | November 13, 2008
Un disque de lieder authentique et inspiré
Ce quatrième volume d’une collection consacrée au baryton Dietrich Fischer-Dieskau rassemble des enregistrements de 1951-52 où le chanteur... -
DeutschlandRadio Kultur - Radiofeuilleton
| Martin Böttcher | July 8, 2008
Er selbst singt schon seit geraumer Zeit nicht mehr – aber es gibt immer noch Aufnahmen von Dietrich Fischer-Dieskau, die es zu entdecken gilt....
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Diapason
| Pierre-Etienne Nageotte | January 1, 2009
CQFDFD
Après avoir exploré les archives de Dietrich Fischer-Dieskau à la Radio de Cologne (cf. n° 548 p. 85), Audite se penche sur celles de la Radio de Berlin où le baryton réalisait son premier enregistrement le 19 janvier 1948.
Six mois après ses débuts professionnels dans le Requiem allemand de Brahms, Dietrich Fischer-Dieskau entre en studio à l'invitation d'Elsa... -
Fanfare
| Lynn René Bayley | January 3, 2009
This is yet another entry in Audite's recent series of early DFD recital broadcasts. The program is more centrist than his broadcast of Brahms's Die...
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Fono Forum
| Bjørn Woll | January 6, 2010
Hohepriester des Liedes
Vor allem im Liedgesang hat er Maßstäbe gesetzt wie kein anderer, und bis heute sind viele seiner Interpretationen Prüfstein für nachfolgende... -
ouverture Das Klassik-Blog
| reagenz | November 10, 2009
Als Mittzwanziger hat Dietrich Fischer-Dieskau diese Lieder von Beethoven und Brahms eingespielt, 1951 und 1952 in Studio von Rias in Berlin....
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Pizzicato
| Guy Wagner | January 4, 2009
Die vielen Facetten des DFD
Die vierte CD der Edition Fischer-Dieskau von Audite stellt eine Auswahl von 10 Liedern Beethovens und 11 Liedern von Brahms vor, die in denselben... -
Scherzo
| Enrique Pérez Adrián | January 12, 2008
Tesoros Radiofónicos - El sello alemán Audite (distribuidor: Diverdi) nos trae varios tesoros inéditos de los fondos de la Deutschlandradio con...
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www.musicweb-international.com
| Kirk McElhearn | January 14, 2009
German label Audite has been releasing a number of radio recordings that Dietrich Fischer-Dieskau made in his early years on German radio. After a...
Edition Fischer-Dieskau (IV) – Lieder by Beethoven and Brahms (audite 95.601)
| article number: | 95.601 |
| EAN barcode: | 4022143956019 |
| price group: | BCB |
| release date: | 6. August 2008 |
| total time: | 58 min. |
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