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Elisabeth Schwarzkopf interprets songs by Wolf, Schubert, Strauss, Purcell, Arne & Quilter

Wolf, Hugo | Schubert, Franz | Strauss, Richard | Purcell, Henry | Arne, Thomas | Quilter, Roger

Raucheisen, Michael (piano) | Schwarzkopf, Elisabeth (soprano)

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American Record Guide

Boyer

Audite has obtained access to the original tapes for these 1958 recording ...

Arte

Mathias Heizmann

Klassik

Arte

Spécial été 2009

CD Compact

Benjamín Fontvella

Estos volúmenes (segundo y tercero de la colección dedicada a Karajan) se ...

cdhotlist.btol.com

Peter Szabo

This is part of Audite's Legendary Recordings series which makes available ...

Classic Record Collector

John Steane

Elisabeth Schwarzkopf

Classica

André Tubeuf

Archives lyriques

Das Opernglas

Lars-Erik Gerth

Als Elisabeth Schwarzkopf im Januar 1958 mit dem renommierten Liedbegleiter ...

Diverdi Magazin

Roberto Andrade

No va más

International Record Review

Roger Pines

At the time of that rally, Elisabeth Schwarzkopf was at the beginning of her ...

Ópera Actual

Albert Torrens

Acostumbrados a reconocer en Schwarzkopfa la excelsa intérprete de Mozart y ...

orpheus

Sebastian Sternberg

Historische Schätze von audite und anderen

WDR 3

Kirsten Liese

Schwarzkopf: Lieder

Westdeutsche Zeitung

Dr. Lars Wallerang

Einsamer Gipfel

 

Boyer (American Record Guide - September/October 2009) 01.09.2009

RezensionsgrafikAudite has obtained access to the original tapes for these 1958 recording sessions that Elisabeth Schwarzkopf made with pianist Michael Raucheisen for RIAS Berlin. The monaural sound is quite good though rather dry, as was typical for the time. There are some moments of distortion to remind us that the Sources, though original, were not in perfect condition.

The song texts are in the original languages only (German, of course, for the Wolf, Schubert, and Strauss that make up the bulk of the program; English for the unexpected selections by Purcell, Arne, and Quilter). The notes dwell mostly on Schwarzkopf's career (a bit too indulgently), making reference to the program material only when it has a bearing on her artistic development.

Beyond this what can one say about an artist whose position is so firmly established? We hear the 43-year-old Schwarzkopf near the peak of her powers, which should be self-recommending to her admirers seeking to fill out their collections with as yet unheard performances. For the general collector, though, her commercial releases from that period will probably suffice.


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