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Peter Anders – Recital

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Peter Anders – Recital

Peter Anders ’ career was brought to a sudden end following a car accident in 1954. But thanks to his many recordings, the tenor, who died at the age of 46, remains present even today. This double-CD, featuring several rare Berlin radio recordings made between 1949 and 1951, including Ferenc...more

"Freuen wir uns an einem klanglich erstaunlich hochwertigen Doppelalbum, das die vielen Seiten des Peter Anders noch einmal zum Klingen bringt. Schmelz, eine gewisse Keckheit im Ton, etwas liebenswert Naturburschenhaftes: Mit diesen Zutaten eroberte Anders die Herzen." (WAZ)

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Peter Anders’ career was brought to a sudden end following a car accident in 1954. But thanks to his many recordings, the tenor, who died at the age of 46, remains present even today. This double-CD, featuring several rare Berlin radio recordings made between 1949 and 1951, including Ferenc Fricsay conducting the RIAS Symphony Orchestra, is an exemplary document, demonstrating his unique talent as a lyric and dramatic tenor, as a light-hearted and yet subtle operetta hero and as a sensitive Lied interpreter.
Anders’ first-class partners in these recordings are Anny Schlemm (in an extensive compilation of excerpts from “Countess Mariza”), Elfriede Trötschel (as Violetta in the complete third act of “La Traviata”), Martha Musial (in excerpts from “Andrea Chenier”) as well as the fine German Verdi baritone, Josef Metternich.

The production is part of our series „Legendary Recordings“ and bears the quality feature „1st Master Release“. This term stands for the excellent quality of archival productions at audite. For all historical publications at audite are based, without exception, on the original tapes from broadcasting archives. In general these are the original analogue tapes, which attain an astonishingly high quality, even measured by today‘s standards, with their tape speed of up to 76 cm/sec. The remastering – professionally competent and sensitively applied – also uncovers previously hidden details of the interpretations. Thus, a sound of superior quality results. CD publications based on private recordings from broadcasts cannot be compared with these.

Reviews

Cellesche Zeitung
Cellesche Zeitung | 20. August 2010 | Reinald Hanke | August 20, 2010 Welch ein Sänger!

Dieser Mann singt perfekt Partien in Operetten von Strauß bis Kalman,Mehr lesen

Aus urheberrechtlichen Gründen dürfen wir ihnen diese Rezension leider nicht zeigen!
Dieser Mann singt perfekt Partien in Operetten von Strauß bis Kalman,

Ritmo
Ritmo | mayo 2010 | P.C.J. | May 1, 2010

Al igual que su compatriota y compañero de cuerda Fritz Wunderlich, elMehr lesen

Aus urheberrechtlichen Gründen dürfen wir ihnen diese Rezension leider nicht zeigen!
Al igual que su compatriota y compañero de cuerda Fritz Wunderlich, el

International Record Review
International Record Review | February 2010 | John T. Hughes | February 1, 2010 Opera and Vocal Round-Up

Aldenhoff died at 51; even younger was Peter Anders (1908-54), born 17 days after him. In Wagner, Anders was more associated with Walther andMehr lesen

Aldenhoff died at 51; even younger was Peter Anders (1908-54), born 17 days after him. In Wagner, Anders was more associated with Walther and Lohengrin, but his voice was growing stronger and heavier. Many recordings exist. Audite has assembled some Berlin RIAS relays from 1949 to 1951, offering opera, operetta and songs. The set's earliest examples of Anders are seven songs by Strauss from 1949, with pianist Günther Weissenborn. The first operetta excerpt is 'O Mädchen, mein Mädchen' from Lehar's Friederike, nicely sung but with an awkward, aspirated lift at 2'27" which nevertheless leads to a pleasing mezza voce. The darker colour employed in 'Sah' ein Knab', also from Friederike, has its own attractiveness. How full , warm and easily projected is his tone in six extracts from Kálmán's Gräfin Mariza, among them three soprano/tenor duets with, respectively, Brigitte Mira, not ideally steady, and the superior Anny Schlemm, vocally pristine at 21. Operatic composers are Smetana, Verdi and Giordano, the last recalled in three items from Andrea Chénier (1949), which find Anders powerful and ringing enough for his role. In the final duet he outclasses Martha Musial: not the smoothest soprano in Germany at the time. I should welcome a complete Bartered Bride with Anders, who sings three pieces here, for which he has just the right voice, whether in the Act 1 duet with Mařenka (the pleasurable Madlon Harder, new to me), the delightful one with Kecal (Fritz Hoppe) or in the lovely Act 2 aria, to which a hint of sadness is well introduced. Act 3 of La Traviata (complete) finds him responding at first enthusiastically then despairingly to the fate of Violetta: Elfride Trötschel on top form. Finally come five oddly chosen excerpts from Otello (too much chorus). Anders's death scene is among the most internal: one feels the mental torment. It is a splendid interpretation and a gripping end to this highly desirable compilation. Audite use original tapes from radio archives, with sound unlikely to be bettered elsewhere, though Otello is gritty occasionally.
Aldenhoff died at 51; even younger was Peter Anders (1908-54), born 17 days after him. In Wagner, Anders was more associated with Walther and

CD Compact
CD Compact | diciembre 2009 | Benjamín Fontvella | December 1, 2009

Markevitch fue uno de los directores más personales de la segunda mitadMehr lesen

Aus urheberrechtlichen Gründen dürfen wir ihnen diese Rezension leider nicht zeigen!
Markevitch fue uno de los directores más personales de la segunda mitad

Diario de Sevilla
Diario de Sevilla | Sábado 12 de diciembre de 2009 | Pablo J. Vayón | December 1, 2009 Recuerdo de Peter Anders

A los 55 años de su trágica muerte en accidente de tráfico, el selloMehr lesen

Aus urheberrechtlichen Gründen dürfen wir ihnen diese Rezension leider nicht zeigen!
A los 55 años de su trágica muerte en accidente de tráfico, el sello

Scherzo
Scherzo | diciembre 2009 | Enrique Pérez Adrián | December 1, 2008 Gulda y otras joyas

El sello alemán Audite (distribuidor: Diverdi) nos trae un nuevoMehr lesen

Aus urheberrechtlichen Gründen dürfen wir ihnen diese Rezension leider nicht zeigen!
El sello alemán Audite (distribuidor: Diverdi) nos trae un nuevo

Westdeutsche Allgemeine Zeitung
Westdeutsche Allgemeine Zeitung | 21. Juni 2009 | Lars von der Gönna Peter Anders: Naturbursche und Gänsehaut-Interpret

Essen. Eine neue CD erinnert an einen zu Unrecht vergessenen Sänger. DerMehr lesen

Aus urheberrechtlichen Gründen dürfen wir ihnen diese Rezension leider nicht zeigen!
Essen. Eine neue CD erinnert an einen zu Unrecht vergessenen Sänger. Der

Merchant Infos

Peter Anders – Recital
article number: 23.419
EAN barcode: 4022143234193
price group: BCA
release date: 26. June 2009
total time: 143 min.

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